Am 9.0: Sharjah Slaughterhouse Tour: Cow hide template print of the Jebel Al Faya context and cave geometry in Sharjah. See more here.

Am 9.0: Sharjah Slaughterhouse Tour: Cow hide template print of the Jebel Al Faya context and cave geometry in Sharjah. See more here.

Am 9.0: New Age Africana: Kagome weave Installation of the reversed Shimoni slave cave at Louisiana Museum of Modern Art. See more here.

Am 9.0: New Age Africana: Kagome weave Installation of the reversed Shimoni slave cave at Louisiana Museum of Modern Art. See more here.

Am 10.0: Reversing Water scarcity on Mt Suswa: We return the museum back from our journey around the world, this time to address the water before artefact. See more here.

Am 10.0: Reversing Water scarcity on Mt Suswa: We return the museum back from our journey around the world, this time to address the water before artefact. See more here.

Am 9.0: New Age Africana: Kagome weave Installation of the reversed Shimoni cave roof openings where thousands of slaves would have looked up through. See more here.

Am 9.0: New Age Africana: Kagome weave Installation of the reversed Shimoni cave roof openings where thousands of slaves would have looked up through. See more here.

Am 8.0: Nyukie Artefact / Steam Harvester: This prototype steam harvesting device will be built on Mount Suswa to alleviate the climate change induced droughts. See more here.

Am 8.0: Nyukie Artefact / Steam Harvester: This prototype steam harvesting device will be built on Mount Suswa to alleviate the climate change induced droughts. See more here.

Am 9.0: Sharjah Slaughterhouse Tour: The small animal slaughter area became the site of thought and reflection, where visitors were invited to leave messages in the time capsule, that will be locked in time until the year 2100. See more here.

Am 9.0: Sharjah Slaughterhouse Tour: The small animal slaughter area became the site of thought and reflection, where visitors were invited to leave messages in the time capsule, that will be locked in time until the year 2100. See more here.

Am 9.0: Sharjah Slaughterhouse Tour: We adapted this old 1980’s slaughterhouse building into a museum for the 2023 - 2024 Sharjah Architecture Triennial. See more here.

Am 9.0: Sharjah Slaughterhouse Tour: We adapted this old 1980’s slaughterhouse building into a museum for the 2023 - 2024 Sharjah Architecture Triennial. See more here.

Am 9.0: Sharjah Slaughterhouse Tour: Cave allegory room within the slaughterhouse cold rooms using reverse projection film and glass to adjust perceptions and dimensions; and where sliced horns framed the real and imagined thresholds. See more he

Am 9.0: Sharjah Slaughterhouse Tour: Cave allegory room within the slaughterhouse cold rooms using reverse projection film and glass to adjust perceptions and dimensions; and where sliced horns framed the real and imagined thresholds. See more here.

Am 9.0: Sharjah Slaughterhouse Tour: In our cold room gallery we exhibited the work of Beatrice Wanjiku, a mixed media painting titled The Primal and Unutterable II, on loan for the four months of the Sharjah Architecture Triennial. She described

Am 9.0: Sharjah Slaughterhouse Tour: In our cold room gallery we exhibited the work of Beatrice Wanjiku, a mixed media painting titled The Primal and Unutterable II, on loan for the four months of the Sharjah Architecture Triennial. She described her work beautifully on our artist interviews. See more here

Am 9.0: New Age Africana: Kagome weave Installation of the reversed Shimoni slave cave structure sized at 300 square meters of the double heigh Louisiana Museum Of Modern Art space. See more here.

Am 9.0: New Age Africana: Kagome weave Installation of the reversed Shimoni slave cave structure sized at 300 square meters of the double heigh Louisiana Museum Of Modern Art space. See more here.

Architecture of Migration: See our map contribution to this seminal publication by Prof Anooradha Iyer Siddiqi, where we generate a cross section of the Dadaab refugee camp, and Jurassic Merti Aquifer in Northern Kenya, East Africa.

Architecture of Migration: See our map contribution to this seminal publication by Prof Anooradha Iyer Siddiqi, where we generate a cross section of the Dadaab refugee camp, and Jurassic Merti Aquifer in Northern Kenya, East Africa.

Architecture of Migration: See our map contribution to this seminal publication by Prof Anooradha Iyer Siddiqi, where we generate a cross section of the Dadaab refugee camp, and Jurassic Merti Aquifer in Northern Kenya, East Africa.

Architecture of Migration: See our map contribution to this seminal publication by Prof Anooradha Iyer Siddiqi, where we generate a cross section of the Dadaab refugee camp, and Jurassic Merti Aquifer in Northern Kenya, East Africa.

Am 3.0: Obsidian Rain … “At 1:1 the Mbai Cave fitted perfectly, a small chamber where the Mau Mau freedom fighters contemplated the colonisers purgatory. We worked all 1,600 obsidian stones by hand and machine, remembering our ancestors in craft and

Am 3.0: Obsidian Rain … “At 1:1 the Mbai Cave fitted perfectly, a small chamber where the Mau Mau freedom fighters contemplated the colonisers purgatory. We worked all 1,600 obsidian stones by hand and machine, remembering our ancestors in craft and resistance, pristine.” Read more here

Am 3.0: Obsidian Rain … “It was not outside the bounds of our nature to choose the Mbai cave in its majestic stature. A cave we cast in bronze not too long ago and printed plans with on sectioned leather” … See more here.

Am 3.0: Obsidian Rain …“It was not outside the bounds of our nature to choose the Mbai cave in its majestic stature. A cave we cast in bronze not too long ago and printed plans with on sectioned leather” … See more here.

Am 3.0: Obsidian Rain … “Obsidian rain is what we called it, and indeed it poured, falling down from the frescoed dome, remembering our ancestors who struggled and resisted, abhorred” … See more here.

Am 3.0: Obsidian Rain …“Obsidian rain is what we called it, and indeed it poured, falling down from the frescoed dome, remembering our ancestors who struggled and resisted, abhorred” … See more here.

Am 3.0: Obsidian Rain … “The museum came with artefacts strong, drawings on rejected leather hide, bronze models of the Mbai cave pride, gourds to fermented our thoughts, moving images while we sat on red cedar logs” … See more here.

Am 3.0: Obsidian Rain …“The museum came with artefacts strong, drawings on rejected leather hide, bronze models of the Mbai cave pride, gourds to fermented our thoughts, moving images while we sat on red cedar logs” … See more here.

Am 1.0: Baboon Parliament …“ So with all that is said and more to be done, we read the origin as one … a singularity of architecture and nature when it all began. See the baboon parliament in its true stature, flowing through larva tubes fashioned

Am 1.0: Baboon Parliament …“So with all that is said and more to be done, we read the origin as one … a singularity of architecture and nature when it all began. See the baboon parliament in its true stature, flowing through larva tubes fashioned in power, caldera”… See more here.

Am 1.0: Baboon Parliament …“We marked the location on the double caldera mountain, while comparing it to Rome’s Pantheon. We merged the models in similitude as one to show how architecture all began”… See more here.

Am 1.0: Baboon Parliament …“We marked the location on the double caldera mountain, while comparing it to Rome’s Pantheon. We merged the models in similitude as one to show how architecture all began”… See more here.

Am 1.0: Olmanyara …“We tell the story in film, to think of what this epoch in Africa might mean. For the scientist propose that it begun at this moment, when our ancestors fought for their presence of being in time, a lost atonement” … See more here.

Am 1.0: Mbai Cave of the Mau Mau …“ Of Steam and Struggle we draw here to scramble, for an Africa in architecture built on protest and geothermal. The Mbai cave is ready for visitors, as we point in cloud, against a mapping the settlers chose to o

Am 1.0: Mbai Cave of the Mau Mau …“Of Steam and Struggle we draw here to scramble, for an Africa in architecture built on protest and geothermal. The Mbai cave is ready for visitors, as we point in cloud, against a mapping the settlers chose to obscure and shroud”… See more here.

Am 1.0: Mbai bronze model … “It was a stone age cave filled with obsidian tools, and not too long ago, a refuge against those dreaded colonial rules. Opening falls, watered doors, and a nave with burnt up Mbai Cave Mau walls” … See more here.

Am 1.0: Mbai bronze model…“It was a stone age cave filled with obsidian tools, and not too long ago, a refuge against those dreaded colonial rules. Opening falls, watered doors, and a nave with burnt up Mbai Cave Mau walls” … See more here.

Am 1.0: Leather Map Print … “There is the museum, and here is the repository, we trace it on contours of dormant drawings showing volcanoes and larva tubes … a pent up geology” … See more here.

Am 1.0: Leather Map Print …“There is the museum, and here is the repository, we trace it on contours of dormant drawings showing volcanoes and larva tubes … a pent up geology” … See more here.

Am 1.0: Mbai cave in bronze … “We drew it to scale, and built it to shell, tracing habitation that reshaped this, our abstract nation geo-social gel” … See more here.

Am 1.0: Mbai cave in bronze …“We drew it to scale, and built it to shell, tracing habitation that reshaped this, our abstract nation geo-social gel” … See more here.

Am 1.0: Leather Drawing Print … “We unlocked Its double helix, to see it in chromosome, mighty sections etched on leather hide of a moran cow grown. See the museum, see our incline to an epoch we natives resisted in spiritual space reshaping bei

Am 1.0: Leather Drawing Print …“We unlocked Its double helix, to see it in chromosome, mighty sections etched on leather hide of a moran cow grown. See the museum, see our incline to an epoch we natives resisted in spiritual space reshaping being and time” … See more here.

Am 1.0: Mbai bronze … “We cast in bronze that which larva casts unseen, a void of space to unbuild this age, the beautiful and wretched anthropocene. If it is ratified, or if it is not, that which is certain, man and woman have cast on nature a ro

Am 1.0: Mbai bronze …“We cast in bronze that which larva casts unseen, a void of space to unbuild this age, the beautiful and wretched anthropocene. If it is ratified, or if it is not, that which is certain, man and woman have cast on nature a rotting lot” … See more here.

Am 1.0: Museum muse … “So not much for the glorious journals, not much for the depository, when it isn’t architecture we look at but ourselves, an obsessed, and putrid technology” … See more here.

Am 1.0: Museum muse …“So not much for the glorious journals, not much for the depository, when it isn’t architecture we look at but ourselves, an obsessed, and putrid technology” … See more here.

Acorn Special Needs School … “But still we must build, if only to fix society’s ills, where special children are forgot, by a state’s gluttonous and ravenous so called democratic plot” …

Acorn Special Needs School …“But still we must build, if only to fix society’s ills, where special children are forgot, by a state’s gluttonous and ravenous so called democratic plot” …

Acorn Special Needs School …“ Here in the city’s rural hinterland, picturesque as it comes, we reference the traditional homestead, called the “Boma” from many tribal lands” …

Acorn Special Needs School …“Here in the city’s rural hinterland, picturesque as it comes, we reference the traditional homestead, called the “Boma” from many tribal lands” …

Acorn Special Needs School … “Learning within, learning without, the structure lets the children meander, but not too far out. While the courtyards shape the cool pristine green, returning true learning, under the wise fig tree” …

Acorn Special Needs School …“Learning within, learning without, the structure lets the children meander, but not too far out. While the courtyards shape the cool pristine green, returning true learning, under the wise fig tree” …

Mogadishu House … “We revisit luxury here in this unfailed state of Somalia, with rural norms embedded in progressive walls, unimagined nostalgia. It is indeed of the “Origin” and unstable “Made”, to fill the void left by violence overstayed” …

Mogadishu House …“We revisit luxury here in this unfailed state of Somalia, with rural norms embedded in progressive walls, unimagined nostalgia. It is indeed of the “Origin” and unstable “Made”, to fill the void left by violence overstayed” …

Fly whisk Device … “Behold the fly whisk for street preachers and political teachers. A griot device to flick fact checked speeches. Free radical bluetooth vestiges that last through the ages, finally tell the story of technology’s final stages”

Fly whisk Device … “Behold the fly whisk for street preachers and political teachers. A griot device to flick fact checked speeches. Free radical bluetooth vestiges that last through the ages, finally tell the story of technology’s final stages” …

Agri-village Somalia …“ A spread of cloth canopies, a responsive kind, framing and flexing shadows as the market day unwinds”. The customer is queen, and her shadow is king, drawn close but never forced for those trained to glean” …

Agri-village Somalia …“A spread of cloth canopies, a responsive kind, framing and flexing shadows as the market day unwinds”. The customer is queen, and her shadow is king, drawn close but never forced for those trained to glean” …

Agri-village Somalia …“ We sketch to think of a village of agriculture, with ancient courts built around mosques, palm trees, aquaculture. So see the syntax, see the clusters, homes among homes where young and old cluster” …

Agri-village Somalia …“We sketch to think of a village of agriculture, with ancient courts built around mosques, palm trees, aquaculture. So see the syntax, see the clusters, homes among homes where young and old cluster” …

Agri-village Somalia  … “A cessna view, taking measures of dreams, five thousand inhabitants, seeding to feeding millions with little means” …

Agri-village Somalia …“A cessna view, taking measures of dreams, five thousand inhabitants, seeding to feeding millions with little means” …

Pent Up Geology … “For the time is here when we use a strange geology to steer, a progress using gravity, and slicing stratigraphy, no thoughts beyond inflation theory we fear. ” …

Pent Up Geology…“For the time is here when we use a strange geology to steer, a progress using gravity, and slicing stratigraphy, no thoughts beyond inflation theory we fear.” …

Mapping the Sun … “Behold Buckminster’s geodesic, solar rays we overlay , irradiance is our penance a warming world to let the children pay” …

Mapping the Sun…“Behold Buckminster’s geodesic, solar rays we overlay, irradiance is our penance a warming world to let the children pay” …

Studying Gede in Ruin … “in the deep Arabuko Sokoke forest by the Indian ocean coast, was a lost civilization, thirteen century architecture, now mostly ghost. A palace doorway, mosques and tombs many readings we have yet to exhume, ” …

Studying Gede in Ruin…“in the deep Arabuko Sokoke forest by the Indian ocean coast, was a lost civilization, thirteen century architecture, now mostly ghost. A palace doorway, mosques and tombs many readings we have yet to exhume, ” …

Am 1.0: Bringing Bamboo … “We built this structure of bamboo and split tire, for conversations between four captives that would inspire. Shifting stone for their stories told, completing this allegory against a cave curated throne ” …

Am 1.0: Bringing Bamboo …“We built this structure of bamboo and split tire, for conversations between four captives that would inspire. Shifting stone for their stories told, completing this allegory against a cave curated throne” …

Am 9.0: Sharjah Slaughterhouse Tour: Cow hide template print of the Jebel Al Faya context and cave geometry in Sharjah. See more here.
Am 9.0: New Age Africana: Kagome weave Installation of the reversed Shimoni slave cave at Louisiana Museum of Modern Art. See more here.
Am 10.0: Reversing Water scarcity on Mt Suswa: We return the museum back from our journey around the world, this time to address the water before artefact. See more here.
Am 9.0: New Age Africana: Kagome weave Installation of the reversed Shimoni cave roof openings where thousands of slaves would have looked up through. See more here.
Am 8.0: Nyukie Artefact / Steam Harvester: This prototype steam harvesting device will be built on Mount Suswa to alleviate the climate change induced droughts. See more here.
Am 9.0: Sharjah Slaughterhouse Tour: The small animal slaughter area became the site of thought and reflection, where visitors were invited to leave messages in the time capsule, that will be locked in time until the year 2100. See more here.
Am 9.0: Sharjah Slaughterhouse Tour: We adapted this old 1980’s slaughterhouse building into a museum for the 2023 - 2024 Sharjah Architecture Triennial. See more here.
Am 9.0: Sharjah Slaughterhouse Tour: Cave allegory room within the slaughterhouse cold rooms using reverse projection film and glass to adjust perceptions and dimensions; and where sliced horns framed the real and imagined thresholds. See more he
Am 9.0: Sharjah Slaughterhouse Tour: In our cold room gallery we exhibited the work of Beatrice Wanjiku, a mixed media painting titled The Primal and Unutterable II, on loan for the four months of the Sharjah Architecture Triennial. She described
Am 9.0: New Age Africana: Kagome weave Installation of the reversed Shimoni slave cave structure sized at 300 square meters of the double heigh Louisiana Museum Of Modern Art space. See more here.
Architecture of Migration: See our map contribution to this seminal publication by Prof Anooradha Iyer Siddiqi, where we generate a cross section of the Dadaab refugee camp, and Jurassic Merti Aquifer in Northern Kenya, East Africa.
Architecture of Migration: See our map contribution to this seminal publication by Prof Anooradha Iyer Siddiqi, where we generate a cross section of the Dadaab refugee camp, and Jurassic Merti Aquifer in Northern Kenya, East Africa.
Am 3.0: Obsidian Rain … “At 1:1 the Mbai Cave fitted perfectly, a small chamber where the Mau Mau freedom fighters contemplated the colonisers purgatory. We worked all 1,600 obsidian stones by hand and machine, remembering our ancestors in craft and
Am 3.0: Obsidian Rain … “It was not outside the bounds of our nature to choose the Mbai cave in its majestic stature. A cave we cast in bronze not too long ago and printed plans with on sectioned leather” … See more here.
Am 3.0: Obsidian Rain … “Obsidian rain is what we called it, and indeed it poured, falling down from the frescoed dome, remembering our ancestors who struggled and resisted, abhorred” … See more here.
Am 3.0: Obsidian Rain … “The museum came with artefacts strong, drawings on rejected leather hide, bronze models of the Mbai cave pride, gourds to fermented our thoughts, moving images while we sat on red cedar logs” … See more here.
Am 1.0: Baboon Parliament …“ So with all that is said and more to be done, we read the origin as one … a singularity of architecture and nature when it all began. See the baboon parliament in its true stature, flowing through larva tubes fashioned
Am 1.0: Baboon Parliament …“We marked the location on the double caldera mountain, while comparing it to Rome’s Pantheon. We merged the models in similitude as one to show how architecture all began”… See more here.
Am 1.0: Olmanyara …“ We tell the story in film, to think of what this epoch in Africa might mean. For the scientist propose that it begun at this moment, when our ancestors fought for their presence of being in time, a lost atonement” … See more
Am 1.0: Mbai Cave of the Mau Mau …“ Of Steam and Struggle we draw here to scramble, for an Africa in architecture built on protest and geothermal. The Mbai cave is ready for visitors, as we point in cloud, against a mapping the settlers chose to o
Am 1.0: Mbai bronze model … “It was a stone age cave filled with obsidian tools, and not too long ago, a refuge against those dreaded colonial rules. Opening falls, watered doors, and a nave with burnt up Mbai Cave Mau walls” … See more here.
Am 1.0: Leather Map Print … “There is the museum, and here is the repository, we trace it on contours of dormant drawings showing volcanoes and larva tubes … a pent up geology” … See more here.
Am 1.0: Mbai cave in bronze … “We drew it to scale, and built it to shell, tracing habitation that reshaped this, our abstract nation geo-social gel” … See more here.
Am 1.0: Leather Drawing Print … “We unlocked Its double helix, to see it in chromosome, mighty sections etched on leather hide of a moran cow grown. See the museum, see our incline to an epoch we natives resisted in spiritual space reshaping bei
Am 1.0: Mbai bronze … “We cast in bronze that which larva casts unseen, a void of space to unbuild this age, the beautiful and wretched anthropocene. If it is ratified, or if it is not, that which is certain, man and woman have cast on nature a ro
Am 1.0: Museum muse … “So not much for the glorious journals, not much for the depository, when it isn’t architecture we look at but ourselves, an obsessed, and putrid technology” … See more here.
Acorn Special Needs School … “But still we must build, if only to fix society’s ills, where special children are forgot, by a state’s gluttonous and ravenous so called democratic plot” …
Acorn Special Needs School …“ Here in the city’s rural hinterland, picturesque as it comes, we reference the traditional homestead, called the “Boma” from many tribal lands” …
Acorn Special Needs School … “Learning within, learning without, the structure lets the children meander, but not too far out. While the courtyards shape the cool pristine green, returning true learning, under the wise fig tree” …
Mogadishu House … “We revisit luxury here in this unfailed state of Somalia, with rural norms embedded in progressive walls, unimagined nostalgia. It is indeed of the “Origin” and unstable “Made”, to fill the void left by violence overstayed” …
Fly whisk Device … “Behold the fly whisk for street preachers and political teachers. A griot device to flick fact checked speeches. Free radical bluetooth vestiges that last through the ages, finally tell the story of technology’s final stages”
Agri-village Somalia …“ A spread of cloth canopies, a responsive kind, framing and flexing shadows as the market day unwinds”. The customer is queen, and her shadow is king, drawn close but never forced for those trained to glean” …
Agri-village Somalia …“ We sketch to think of a village of agriculture, with ancient courts built around mosques, palm trees, aquaculture. So see the syntax, see the clusters, homes among homes where young and old cluster” …
Agri-village Somalia  … “A cessna view, taking measures of dreams, five thousand inhabitants, seeding to feeding millions with little means” …
Pent Up Geology … “For the time is here when we use a strange geology to steer, a progress using gravity, and slicing stratigraphy, no thoughts beyond inflation theory we fear. ” …
Mapping the Sun … “Behold Buckminster’s geodesic, solar rays we overlay , irradiance is our penance a warming world to let the children pay” …
Studying Gede in Ruin … “in the deep Arabuko Sokoke forest by the Indian ocean coast, was a lost civilization, thirteen century architecture, now mostly ghost. A palace doorway, mosques and tombs many readings we have yet to exhume, ” …
Am 1.0: Bringing Bamboo … “We built this structure of bamboo and split tire, for conversations between four captives that would inspire. Shifting stone for their stories told, completing this allegory against a cave curated throne ” …

Am 9.0: Sharjah Slaughterhouse Tour: Cow hide template print of the Jebel Al Faya context and cave geometry in Sharjah. See more here.

Am 9.0: New Age Africana: Kagome weave Installation of the reversed Shimoni slave cave at Louisiana Museum of Modern Art. See more here.

Am 10.0: Reversing Water scarcity on Mt Suswa: We return the museum back from our journey around the world, this time to address the water before artefact. See more here.

Am 9.0: New Age Africana: Kagome weave Installation of the reversed Shimoni cave roof openings where thousands of slaves would have looked up through. See more here.

Am 8.0: Nyukie Artefact / Steam Harvester: This prototype steam harvesting device will be built on Mount Suswa to alleviate the climate change induced droughts. See more here.

Am 9.0: Sharjah Slaughterhouse Tour: The small animal slaughter area became the site of thought and reflection, where visitors were invited to leave messages in the time capsule, that will be locked in time until the year 2100. See more here.

Am 9.0: Sharjah Slaughterhouse Tour: We adapted this old 1980’s slaughterhouse building into a museum for the 2023 - 2024 Sharjah Architecture Triennial. See more here.

Am 9.0: Sharjah Slaughterhouse Tour: Cave allegory room within the slaughterhouse cold rooms using reverse projection film and glass to adjust perceptions and dimensions; and where sliced horns framed the real and imagined thresholds. See more here.

Am 9.0: Sharjah Slaughterhouse Tour: In our cold room gallery we exhibited the work of Beatrice Wanjiku, a mixed media painting titled The Primal and Unutterable II, on loan for the four months of the Sharjah Architecture Triennial. She described her work beautifully on our artist interviews. See more here

Am 9.0: New Age Africana: Kagome weave Installation of the reversed Shimoni slave cave structure sized at 300 square meters of the double heigh Louisiana Museum Of Modern Art space. See more here.

Architecture of Migration: See our map contribution to this seminal publication by Prof Anooradha Iyer Siddiqi, where we generate a cross section of the Dadaab refugee camp, and Jurassic Merti Aquifer in Northern Kenya, East Africa.

Architecture of Migration: See our map contribution to this seminal publication by Prof Anooradha Iyer Siddiqi, where we generate a cross section of the Dadaab refugee camp, and Jurassic Merti Aquifer in Northern Kenya, East Africa.

Am 3.0: Obsidian Rain … “At 1:1 the Mbai Cave fitted perfectly, a small chamber where the Mau Mau freedom fighters contemplated the colonisers purgatory. We worked all 1,600 obsidian stones by hand and machine, remembering our ancestors in craft and resistance, pristine.” Read more here

Am 3.0: Obsidian Rain …“It was not outside the bounds of our nature to choose the Mbai cave in its majestic stature. A cave we cast in bronze not too long ago and printed plans with on sectioned leather” … See more here.

Am 3.0: Obsidian Rain …“Obsidian rain is what we called it, and indeed it poured, falling down from the frescoed dome, remembering our ancestors who struggled and resisted, abhorred” … See more here.

Am 3.0: Obsidian Rain …“The museum came with artefacts strong, drawings on rejected leather hide, bronze models of the Mbai cave pride, gourds to fermented our thoughts, moving images while we sat on red cedar logs” … See more here.

Am 1.0: Baboon Parliament …“So with all that is said and more to be done, we read the origin as one … a singularity of architecture and nature when it all began. See the baboon parliament in its true stature, flowing through larva tubes fashioned in power, caldera”… See more here.

Am 1.0: Baboon Parliament …“We marked the location on the double caldera mountain, while comparing it to Rome’s Pantheon. We merged the models in similitude as one to show how architecture all began”… See more here.

Am 1.0: Olmanyara …“We tell the story in film, to think of what this epoch in Africa might mean. For the scientist propose that it begun at this moment, when our ancestors fought for their presence of being in time, a lost atonement” … See more here.

Am 1.0: Mbai Cave of the Mau Mau …“Of Steam and Struggle we draw here to scramble, for an Africa in architecture built on protest and geothermal. The Mbai cave is ready for visitors, as we point in cloud, against a mapping the settlers chose to obscure and shroud”… See more here.

Am 1.0: Mbai bronze model…“It was a stone age cave filled with obsidian tools, and not too long ago, a refuge against those dreaded colonial rules. Opening falls, watered doors, and a nave with burnt up Mbai Cave Mau walls” … See more here.

Am 1.0: Leather Map Print …“There is the museum, and here is the repository, we trace it on contours of dormant drawings showing volcanoes and larva tubes … a pent up geology” … See more here.

Am 1.0: Mbai cave in bronze …“We drew it to scale, and built it to shell, tracing habitation that reshaped this, our abstract nation geo-social gel” … See more here.

Am 1.0: Leather Drawing Print …“We unlocked Its double helix, to see it in chromosome, mighty sections etched on leather hide of a moran cow grown. See the museum, see our incline to an epoch we natives resisted in spiritual space reshaping being and time” … See more here.

Am 1.0: Mbai bronze …“We cast in bronze that which larva casts unseen, a void of space to unbuild this age, the beautiful and wretched anthropocene. If it is ratified, or if it is not, that which is certain, man and woman have cast on nature a rotting lot” … See more here.

Am 1.0: Museum muse …“So not much for the glorious journals, not much for the depository, when it isn’t architecture we look at but ourselves, an obsessed, and putrid technology” … See more here.

Acorn Special Needs School …“But still we must build, if only to fix society’s ills, where special children are forgot, by a state’s gluttonous and ravenous so called democratic plot” …

Acorn Special Needs School …“Here in the city’s rural hinterland, picturesque as it comes, we reference the traditional homestead, called the “Boma” from many tribal lands” …

Acorn Special Needs School …“Learning within, learning without, the structure lets the children meander, but not too far out. While the courtyards shape the cool pristine green, returning true learning, under the wise fig tree” …

Mogadishu House …“We revisit luxury here in this unfailed state of Somalia, with rural norms embedded in progressive walls, unimagined nostalgia. It is indeed of the “Origin” and unstable “Made”, to fill the void left by violence overstayed” …

Fly whisk Device … “Behold the fly whisk for street preachers and political teachers. A griot device to flick fact checked speeches. Free radical bluetooth vestiges that last through the ages, finally tell the story of technology’s final stages” …

Agri-village Somalia …“A spread of cloth canopies, a responsive kind, framing and flexing shadows as the market day unwinds”. The customer is queen, and her shadow is king, drawn close but never forced for those trained to glean” …

Agri-village Somalia …“We sketch to think of a village of agriculture, with ancient courts built around mosques, palm trees, aquaculture. So see the syntax, see the clusters, homes among homes where young and old cluster” …

Agri-village Somalia …“A cessna view, taking measures of dreams, five thousand inhabitants, seeding to feeding millions with little means” …

Pent Up Geology…“For the time is here when we use a strange geology to steer, a progress using gravity, and slicing stratigraphy, no thoughts beyond inflation theory we fear.” …

Mapping the Sun…“Behold Buckminster’s geodesic, solar rays we overlay, irradiance is our penance a warming world to let the children pay” …

Studying Gede in Ruin…“in the deep Arabuko Sokoke forest by the Indian ocean coast, was a lost civilization, thirteen century architecture, now mostly ghost. A palace doorway, mosques and tombs many readings we have yet to exhume, ” …

Am 1.0: Bringing Bamboo …“We built this structure of bamboo and split tire, for conversations between four captives that would inspire. Shifting stone for their stories told, completing this allegory against a cave curated throne” …

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